Child of A Rainless Year

Child of A Rainless Year

Book - 2005
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Middle-aged Mira Fenn knows she has an uncomfortably exotic past. As a small girl, she lived in a ornate old house in tiny Las Vegas, New Mexico, tended by oddly silent servant women and ruled by her coldly flamboyant mother Colette. When Mira was nine, Colette went on one of her unexplained trips, only this time she never returned.Placed with foster parents, Mira was raised in Ohio, normal save for her passion for color. On gaining adulthood, she learned that she still owned the New Mexico house. She also learned that, as a condition of being allowed to adopt her, Mira's foster parents had agreed to change their name, move to another state, and never ask why.Years later, going through family papers after the deaths of her elderly foster parents, Mira finds documents that pique her curiosity about her vanished mother and the reasons behind her strange childhood and adoption.Travelling back to New Mexico, she finds the house is and isn't as she remembers it. Inside, it's much the same. Outside, it's been painted in innumerable colors. As Mira continues to investigate her mother's life, events take stranger and stranger turns. The silent women reappear. Even as Mira begins to suspect the power to which she may be heir, the house itself appears to be waking up� Shot through with magic and the atmosphere of the Southwest, this singular fantasy novel has all the storytelling vigor of Jane Lindskold's very popular Firekeeper series.
Publisher: New York : Tor, 2005.
Edition: 1st ed.
ISBN: 9780765309372
Characteristics: 400p.; 24 cm.


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May 18, 2010

Absolutely nothing happens in this darn book until the last thirty pages or so... and it's 400 pages long. If I were you, I'd save myself the bother and go read something that better investigates similar themes (the liminality of urban spaces, for instance, is much more interestingly evoked in Gaiman's NEVERWHERE.)

Also, Lindskold is a clumsy and careless writer. She often repeats herself and spends roughly 80% of her narrative reporting her protagonist's every move - when did she take a shower? What did she have for lunch? Who did the washing up? You will certainly tire of such details long before the author does.


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